To built an organ for a conservatory asks for great responsibility:
The organ builder might be able to offer both teachers and students an instrument that (just as a tool) helps them study. Musical and technical taste of the student could be influenced by such an instrument.
The students are bound to use the instruments character in comparison with other instruments they come across in their career.
At the same time our organ should be appropriate to answer all the students ideas and efforts.
We do after all believe in the energetic effects of a good instrument: practicing should be inspiring rather then tiring.

The tutors Marie-Claire Alain, Georges Guillard, Marie-Louise Langlais and Jacques Taddei gave us greater flexibility in the tonal appearance of the instrument.
It should enable to play mid European organ literature (except Romantic, for which another historic instrument will be prepared for) at the same time giving mediterranean colour and vitality.
Therefore Mediterranean organ music could up to a point feel at home here, and Bach would sound colourful.